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Adn 50 Anos No Es NADA Siglo XXI Ediciones? Alberto Diaz? Diego Golombek? SigloXXIEdiciones? AlbertoDiaz? DiegoGolombek? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Science-General Por Que Ocurrio El Big Bang? Libris? C. C. Radovic? Libris? C.C.Radovic? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Science-General Diez Teorias Que Conmovieron al Mundo de Copernico A Darwin (Claves Para Todos) CI Capital Intelectual? Leonardo Moledo? Esteban Magnani? CICapitalIntelectual? LeonardoMoledo? EstebanMagnani? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Science-General Diez Teorias Que Conmovieron Al Mundo II CI Capital Intelectual? Esteban Magnani? Leonardo Moledo? CICapitalIntelectual? EstebanMagnani? LeonardoMoledo? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Science-General Historia de Las Estrellas CI Capital Intelectual? Mariano Ribas? CICapitalIntelectual? MarianoRibas? 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Subjects-Literature&Fiction-ForeignLanguageFiction-Spanish? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Science-General El Nacimiento del Tiempo TusQuets? Ilya Prigogine? TusQuets? IlyaPrigogine? Subjects-Literature&Fiction-ForeignLanguageFiction-Spanish? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Science-General Demoliendo Papers La Trastienda de las Publicaciones Cientificas (Coleccion Ciencia Que Ladra...) Siglo XXI Ediciones? Diego Golombek? SigloXXIEdiciones? DiegoGolombek? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Science-General Matematica estas Ahi? Siglo Xxi Ediciones? Adrian Paenza? SigloXxiEdiciones? AdrianPaenza? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Science-General Plantas, Bacterias, Hongos, Mi Mujer El Cocinero y Su Amante Siglo XXI Ediciones? Luis G. Wall? SigloXXIEdiciones? LuisG.Wall? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Science-General Bio que?/ Bio what? Biotecnologia , El Futuro Llego Hace Rato Siglo Xxi Ediciones? Alberto Diaz? SigloXxiEdiciones? AlbertoDiaz? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Biotechnology? Subjects-Science-General Subjects-Science-BiologicalSciences-Biotechnology? Los Ninos y la Ciencia La Aventura de la Mano en la Masa (Coleccion Ciencia Que Ladra...) Siglo XXI Ediciones? Georges Charpak? Pierre Lena? Yves Quere? SigloXXIEdiciones? GeorgesCharpak? PierreLena? YvesQuere? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Science-General Que Es Y Que No Es La Evolucion/ What Is and What's Not Evolution (Ciencia Que Ladra / Science That Barks) Siglo Xxi Ediciones? Maria Susana Rossi? SigloXxiEdiciones? MariaSusanaRossi? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-ProfessionalScience-Evolution-General? Subjects-Science-General Matematica...Estas Ahi? Episodio 2 Siglo XXI Ediciones? Adrian Paenza? SigloXXIEdiciones? AdrianPaenza? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Science-General Por El Camino del Tabaco Historia de Una Desinformacion Universal El Guion? Agustin Garcia Puga? Federico Pergola? ElGuion? AgustinGarciaPuga? FedericoPergola? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Science-General Buen Provecho! Generico? Andrea Fock? Ulrike Gonder? Udo Pollmer? Generico? AndreaFock? UlrikeGonder? UdoPollmer? Substores-UnknownASINs-68? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Science-General La Ciencia en la Argentina Entre Siglos Textos, Contextos E Instituciones (Cuadernos Argentinos) Manantial? Marcelo Montserrat? Manantial? MarceloMontserrat? ユーズドブック(洋書)-Biographies&Memoirs? ユーズドブック(洋書)-History? Subjects-Biographies&Memoirs-SpecificGroups-Scientists? Subjects-History-Americas-SouthAmerica-Argentina? Subjects-History-Americas-SouthAmerica-General? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofScience? Libro De Los 1001 Por Que Equipo Editorial? undefined EquipoEditorial? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Science-General La comunicacion Principio, fin y dilema de los medios masivos (Coleccion Compendios) Longseller? German Ferrari? Longseller? GermanFerrari? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Nonfiction-Education-Reference-Words&Language-Communication? Subjects-Reference-Words&Language-Communication? Subjects-Science-General Fractales/Fractals Las estructuras aleatorias/The aleatory structures Longseller? Gustavo Herren? Longseller? GustavoHerren? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-ProfessionalScience-Mathematics-PureMathematics-Fractals? 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Subjects-Science-General 103 Libros En Red? Juan Jose San Martin Mazzucconi? LibrosEnRed? JuanJoseSanMartinMazzucconi? Subjects-Literature&Fiction-ForeignLanguageFiction-Spanish? Subjects-Literature&Fiction-WorldLiterature-Untranslated-Spanish? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Reference? Subjects-Science-General Subjects-Science-Reference-Engineering? Subjects-Science-Technology-General&Reference The Scientific Conquest Of Death Libros En Red? Immortality Institute? LibrosEnRed? ImmortalityInstitute? Subjects-Nonfiction-Philosophy-Science? Subjects-Science-General Subjects-Science-History&Philosophy-General? Como Mojar Una Galleta Debolsillo? Len Fisher? Debolsillo? LenFisher? ユーズドブック(洋書)-Entertainment? Subjects-Entertainment-Humor-General? Subjects-Entertainment-Humor-Science&Scientists? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Science-General Ciberespacio para principiantes Errepar? Joanna Buick? Equipo Editorial? Errepar? JoannaBuick? EquipoEditorial? ユーズドブック(洋書)-Biographies&Memoirs? Subjects-Biographies&Memoirs-Reference&Collections? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Science-General Teoria Cuantica Para Principiantes Errepar? J. P. McEvoy? Oscar Zarate? Richard Appignanesi? Errepar? J.P.McEvoy? OscarZarate? RichardAppignanesi? ユーズドブック(洋書)-Biographies&Memoirs? Subjects-Biographies&Memoirs-General? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Science-General Mente y Cerebro Para Principiantes Longseller? Angus Gellatly? Oscar Zarate? Richard Appignanesi? Longseller? AngusGellatly? OscarZarate? RichardAppignanesi? ユーズドブック(洋書)-Health,Mind&Body? Subjects-Health,Mind&Body-Psychology&Counseling-General? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Science-General Psicoanalsis para principiantes Era Naciente? Ivan Ward? EraNaciente? IvanWard? ユーズドブック(洋書)-Health,Mind&Body? Subjects-Health,Mind&Body-Psychology&Counseling-General? 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Subjects-Science-General Historia del tiempo / A Brief History of Time del big bang a los agujeros negros / From Big Bangs to the Black Holes Critica? Stephen W. Hawking? Critica? StephenW.Hawking? Substores-UnknownASINs-56? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Science-General Subjects-Science-Physics-Cosmology? Subjects-Science-Astronomy-Cosmology? Science - On Stage Longman Publishing Group? Horacio Libarona? Lolita Maril Teves? LongmanPublishingGroup? HoracioLibarona? LolitaMarilTeves? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Science-General Alimentos/foods Introduccion, Tecnica Y Seguridad/technical And Sure Introduction Turisticas? Roxana Medin? Silvina Medin? Turisticas? RoxanaMedin? SilvinaMedin? ユーズドブック(洋書)-Health,Mind&Body? Subjects-Health,Mind&Body-Nutrition-General? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Science-General Subjects-Science-AgriculturalSciences-FoodScience? Camino del Explorador, El - Como Descubri La Conexion Universal Longseller? Edgar, PhD Mitchell? Dwight Williams? Longseller? Edgar,PhDMitchell? DwightWilliams? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Science-General La genetica El codigo de la vida (Coleccion Compendios) Errepar? Magdalena Porro? Errepar? MagdalenaPorro? ユーズドブック(洋書)-Medicine? Subjects-Medicine-Reference-General? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Medical-Medicine-Reference-General? Subjects-Science-General Subjects-Science-Reference-Medical-General? Subjects-Science-Medicine-Reference-General? La Teoria Del Caos/ Chaos Theory Caprichosas Leyes Del Azar? Whimsical Rules of Azar? (Compendios / Synopsis) Longseller? Eduardo Posse Carbon? Longseller? EduardoPosseCarbon? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-Seismology? Subjects-Science-EarthSciences-Seismology? Subjects-Science-General Subjects-Science-Physics-General? Que Es ESA Cosa Llamada Ciencia? Siglo XXI Ediciones? Alan Chalmers? SigloXXIEdiciones? AlanChalmers? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Science-General The Future of Oil As a Source of Energy Curzon Pr? Emirates Center for Strategic Studies & Research? CurzonPr? EmiratesCenterforStrategicStudies&Research? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Outdoors&Nature Substores-UnknownASINs-56? Subjects-Business&Investing-Biographies&Primers-PopularEconomics? Subjects-Business&Investing-Economics-NaturalResources Subjects-Business&Investing-Industries&Professions-RealEstate-General? Subjects-Business&Investing-Industries&Professions-Oil&Energy? Subjects-Business&Investing-Management&Leadership-Systems&Planning? Subjects-Engineering-Chemical-General? Subjects-Engineering-Chemical-Petrochemical? Subjects-Engineering-Petroleum,Mining&Geological-Petroleum? Subjects-Nonfiction-Economics-General? 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EmiratesCenterforStrategicStudies&? ユーズドブック(洋書)-Engineering Subjects-Engineering-Bioengineering-Biotechnology? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Professional&Technical-Engineering-Bioengineering-Biotechnology? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Biotechnology? Subjects-Science-General Subjects-Science-BiologicalSciences-Biotechnology? Challenges and Opportunities Challenges and Opportunities (Emirates Center for Strategic Studies and Research) I B Tauris & Co Ltd? Emirates Center for Strategic Studies &? IBTauris&CoLtd? EmiratesCenterforStrategicStudies&? ユーズドブック(洋書)-Engineering Subjects-Engineering-Bioengineering-Biotechnology? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Professional&Technical-Engineering-Bioengineering-Biotechnology? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Biotechnology? Subjects-Science-General Subjects-Science-BiologicalSciences-Biotechnology? The Date Palm From Traditional Resource to Green Wealth (Emirates Center for Strategic Studies and Research) I B Tauris & Co Ltd? Emirates Center for Strategic Studies &? IBTauris&CoLtd? EmiratesCenterforStrategicStudies&? ユーズドブック(洋書)-Outdoors&Nature Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Subjects-Science-AgriculturalSciences-CropScience? Subjects-Science-BiologicalSciences-General? The Date Palm From Traditional Resource to Green Wealth (Emirates Center for Strategic Studies and Research) I B Tauris & Co Ltd? Emirates Center for Strategic Studies &? IBTauris&CoLtd? EmiratesCenterforStrategicStudies&? ユーズドブック(洋書)-Outdoors&Nature Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? 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Market Scenario Market Research Future (MRFR), in its latest report on the global market for blockchain-as-a-service Industry 2020, reveals factors that govern the market. The increase in the adoption of Blockchain-as-a-Service can support the expansion of the market across the analysis period. As per MRFR data, the expansion of the blockchain-as-a-service market is likely to be at 70.63% CAGR across the study period 2018–2024. The blockchain-as-a-service market value can touch USD 18,981.66 Million by 2024. The increase in the application of blockchain-as-a-service solutions for financial service, banking, and insurance enterprises can bolster the expansion of the market across the analysis period. Moreover, the rise in the adoption of e-commerce organizations, retail and government entities can drive the market growth. The rise in the demand to implement BaaS solutions in supply chain management for various industries can also promote the expansion of the market through the study period. BaaS solutions are also being used for international business transactions due to the high reliability and security offered by them. On the contrary, lack of expertise on blockchain technology, less interoperability of blockchain solutions among enterprises, issues in regulatory standards, and issues with high costs associated with the integration of legacy systems can restrain the expansion of the blockchain-as-a-service solutions market in the coming years. Rivers Growing Integration of AI and Blockchain Technologies to Boost Market Growth The growing integration of AI (artificial intelligence) and blockchain technologies with solutions will boost the market over the forecast period. Opportunities Rising Adoption of Cloud-based Services to offer Robust Opportunities The rising adoption of cloud-based services by enterprises will offer robust opportunities for the market in the forecast period. Enterprises are adopting cloud-based services increasingly for their business functions owing to their different benefits like agility, disaster recovery, flexibility, and lower costs. Besides the cloud offers the perks of hybrid cloud deployment that offers the perks of both the public and private clouds. Due to cloud deployment, enterprises can avail the Blockchain As A Service security capabilities without the need for any complex infrastructure. Restraints and Challenges Security Issues and Privacy Concerns to act as Market Restraint The security issues and privacy concerns of Blockchain As A Service Market stored on the cloud may act as a market restraint over the forecast period. Besides, the integration of Blockchain As A Service as a service into the existing systems may also impede market growth. COVID-19 Analysis The BaaS market has been substantially impacted owing to the increasing pandemic situation across the globe. The COVID-19 outbreak has led to reduced business activities as governments had enforced lockdowns. Owing to this, the dependency on online businesses has significantly grown to offer necessary services to consumers. Thus the increased need for Blockchain As A Service as a service as this offers robustness and security to the data. BaaS simplifies business processes and also affording transparency and immutability as well as increase focus on operational efficiency. Also, BaaS devices are also used in retail malls and buildings to screen people during the crisis before they enter. They can detect this using AI technology if anyone is not wearing a mask or has high temperature. Further, touchless technologies are also flooding the market now. Airports, hospitals, offices, and secure locations are making the most of non-contact Blockchain As A Service attendance. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/7942 Competitive Outlook Microsoft Corporation, IBM Corporation, Oracle Corporation, SAP SE, Amazon Web Services, Accenture PLC, Cognizant, Deloitte Touche Tohmatsu Limited, Capgemini SE, Infosys Limited Huawei Technologies Co. Ltd, NTT Data Corporation, Tata Consultancy Services Limited, HPE, Baidu, Inc., Wipro Limited, and KPMG among others are some notable developers of blockchain-as-a-service solutions as listed by MRFR. Segmentation The segment evaluation of the blockchain-as-a-service solutions market is done by component, platform, application, cloud, and organization size. The platform based segments of the blockchain-as-a-service solutions market Ethereum, Ripple, Hyperledger, R3, and others. The component based segments of the blockchain-as-a-service solutions market are tools and services The cloud based segments of the blockchain-as-a-service solutions market are hybrid, private, and public. The organization size based segments of the blockchain-as-a-service solutions market are large enterprises and SMEs. The application based segments of the blockchain-as-a-service solutions market are smart contracts, compliance management, inventory management, identity management, payment management, supply chain management, fraud management, loyalty and rewards management and others. The vertical based segments of the blockchain-as-a-service solutions market are retail and e-commerce, transportation logistics, BFSI, healthcare, IT telecommunications, government, media entertainment, energy utilities, and others. Regional Analysis Trends of the blockchain-as-a-service market are studied across North America, APAC, MEA, and EU. As per MRFR regional data, the blockchain-as-a-service market in North America is known as to have the largest market share. The high rate of adoption of blockchain technology across the US, following Canada and Mexico can support the expansion of the blockchain-as-a-service market in the review period. The well-established BFSI vertical in the region, being the high end-user of blockchain-as-a-service solutions can promote the expansion of the regional market. In EU, the presence of noteworthy marketers and giant tech players such as Microsoft Corporation, IBM Corporation, and Amazon Web Services, can support the expansion of the blockchain-as-a-service market in the region in the years to come. In Asia Pacific, the regional blockchain-as-a-service market is expected to boom due to the gradual rise in the application of blockchain solutions in cash rich BFSI and retail industry. The blockchain-as-a-service market in Asia Pacific is expected to generate the highest revenue for the global market in the years ahead. The rise of the market in MEA is gradual. Access Report Details @ https //www.marketresearchfuture.com/reports/blockchain-service-market-7942 Table of Contents 1Executive Summary 2Scope of the Report 2.1Market Definition 2.2Scope of the Study 2.2.1Research objectives 2.2.2Assumptions Limitations 2.3Markets Structure Continued…. Similar Report Application Management Services Market By Service-Type (System Integration, Consulting Services, Modernization Services, And Others), By Organization Size, By Deployment, And By End-Users Open Source Intelligence (OSINT) Market By Security Type (Human Intelligence, Content Intelligence, Dark Web Analysis, Link/Network Analysis, Data Analytics, Text Analytics, Artificial Intelligence, Big Data, Others), Technology (Bid Data Software, Video Analytics, Text Analytics, Visualization Tool, Cyber Security, Web Analysis, Social Media Analysis, Others), Application (Military Defense, Homeland Security, Private Sector, Public Sector, National Security, Others) About Market Research Future Market Research Future (MRFR) has created a niche in the world of market research. It is counted among the top market research companies that offer well-researched and updated market research reports and insights to businesses of all sizes. What sets us apart is our super-responsive team that offers quality work keeping clients abridged of the prospective challenges and opportunities in various markets. Our team is adept in their space as well as patiently listens to every client. The best part is they know their work inside out and possess the expertise to guide the client in the right direction and achieve results on a tight deadline. We are a one-stop solution for all your data research needs. Our team does not believe in the “one size fits all” approach to creating a report that is detailed and concise. We handle 13 industry verticals including Healthcare, Chemicals and Materials, Information and Communications Technology, Semiconductor and Electronics, Energy and Power, Food, Beverages Nutrition, Automobile, Consumer and Retail, Aerospace and Defense, Industrial Automation and Equipment, Packaging Transport, Construction, and Agriculture. With our unique approach for every market report, we aim to reach the zenith in qualitative business intelligence and syndicated market research. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com #market #research #industry #data #growth #trend #report #analyis #share #marketing #forecast #digital #geographic #demographic #gnews Plugin Error キーワードを入力してください。 #tech #researchreport #marketreport #futrue
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Market Scenario The global Email Encryption Market size is projected to reach USD 6.84 billion by 2024, according to the latest report by Market Research Future (MRFR). It can expand at 22% CAGR from 2019 to 2024. MRFR’s report on the email encryption market comprises growth drivers, challenges, and trends on the industry for the forecast period (2020-2027). The COVID-19 pandemic and its implications are explored in depth in the market. The global email encryption market is driven by large number of data breaches on major IT companies and government institutes. Email encryption is a means of preventing unauthorized users of reading confidential mails and protect privacy of individuals and companies. This is evident with rise of network traffic, increasing consumption of online data, and use of virtual private networks (VPNs) for accessing websites. The use of emails to exchange information between various divisions in an organization is likely to trigger the demand for email encryption. This includes financials, health plan information, employee social security numbers, and other relevant information. Use of password protection and two-factor authentication on machines and devices for keeping data secure can augur favorably for the market. But high costs of email encryption solutions may hamper market growth. COVID-19 Impact on the Global Email Encryption Market During this COVID-19 pandemic, even small businesses are gravitating toward working digitally, as required by regulatory and government bodies in order to maintain social distance. The increased use of email on home servers has increased the risk of fraud. The use of digital technologies like Data Loss Prevention, email authentication, and email encryption has increased globally as a result of the increased incidence of phishing and email scams in this pandemic. Organizations have been more proactive in protecting their sensitive data stored on email servers. Organizations can use email encryption to secure their data, resources, and confidential information from cyber-attacks. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/8049 Competitive Outlook Proofpoint, Inc. (U.S.), Cisco Systems, Inc. (U.S.), Symantec Corporation (U.S.), Trend Micro Inc. (Japan), Intermedia.net, Inc. (U.S.), Micro Focus International PLC (UK), BAE Systems PLC (UK), EntrU.S.t Datacard Corporation (U.S.), Zix Corporation (U.S.), Egress Software Technologies Ltd (UK), Sophos Group PLC (UK), and Mimecast Services limited (U.S.) are key players in the global email encryption market. Development of new features and collaborations are to be witnessed in the market. Segmentation BFSI Vertical to Dominate Market Demand The BFSI vertical is bound to command a major portion of the email encryption market owing to various financial transactions and exchange of data between companies and clients. Strict regulations and adherence to security requirements coupled with privy to confidential data from governments and high net worth individuals can augur favorably for the market. Deployment of email servers on Regional Analysis North America to Lead in Global Email Encryption Market North America is expected to take the lead in the global email encryption market owing to adoption of cloud services and huge demand for advanced security. Prevention of cyberattacks and focus on maintaining security within corporations can drive the regional market demand. Facilitation of business continuity and implementation of new solutions for protecting data can bode well for the market. Industry News Swiss Post, the state-owned mail delivery corporation has acquired a majority stake in Tresorit, a Swiss-Hungarian company. The company aims to increase the security of information exchange while delivering digital services to their clients. Browse Full Report Details @ https //www.marketresearchfuture.com/reports/email-encryption-market-8049 Table of Contents 1Executive Summary 2Scope of the Report 2.1Market Definition 2.2Scope of the Study 2.2.1Research objectives 2.2.2Assumptions Limitations 2.3Markets Structure Continued…. Similar Report Application Management Services Market By Service-Type (System Integration, Consulting Services, Modernization Services, And Others), By Organization Size, By Deployment, And By End-Users Open Source Intelligence (OSINT) Market By Security Type (Human Intelligence, Content Intelligence, Dark Web Analysis, Link/Network Analysis, Data Analytics, Text Analytics, Artificial Intelligence, Big Data, Others), Technology (Bid Data Software, Video Analytics, Text Analytics, Visualization Tool, Cyber Security, Web Analysis, Social Media Analysis, Others), Application (Military Defense, Homeland Security, Private Sector, Public Sector, National Security, Others) About Market Research Future Market Research Future (MRFR) has created a niche in the world of market research. It is counted among the top market research companies that offer well-researched and updated market research reports and insights to businesses of all sizes. What sets us apart is our super-responsive team that offers quality work keeping clients abridged of the prospective challenges and opportunities in various markets. Our team is adept in their space as well as patiently listens to every client. The best part is they know their work inside out and possess the expertise to guide the client in the right direction and achieve results on a tight deadline. We are a one-stop solution for all your data research needs. Our team does not believe in the “one size fits all” approach to creating a report that is detailed and concise. We handle 13 industry verticals including Healthcare, Chemicals and Materials, Information and Communications Technology, Semiconductor and Electronics, Energy and Power, Food, Beverages Nutrition, Automobile, Consumer and Retail, Aerospace and Defense, Industrial Automation and Equipment, Packaging Transport, Construction, and Agriculture. With our unique approach for every market report, we aim to reach the zenith in qualitative business intelligence and syndicated market research. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com #market #research #industry #data #growth #trend #report #analyis #share #marketing #forecast #digital #geographic #demographic #gnews Plugin Error キーワードを入力してください。 #tech #researchreport #marketreport #futrue
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【登録タグ A-One W あき 幻想のホワイトトラベラー 曲 東方compilation CD 萃星霜】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/chiita/pages/226.html
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https://w.atwiki.jp/art-seimitsu/pages/19.html
Ryota Matsumoto (松本良多) is a famous Philosopher, Artist, Japanese Author, and Instagram star from Japan. He is the founder of an award-winning interdisciplinary design office, Ryota Matsumoto Studio based in Tokyo and New York. As a video producer, he has worked with Peter Christopherson for Japanese Nike commercials. He is a renowned architect and one of the most prominent theorists of postdigital art in Japan and the United States. He has served as the MFA advisor of Transart institute, University of Plymouth and teaches at Asagaya Institute of Art and Design as a professor of practice. He is a man with a proactive approach and has painted the canvas of his dream with the colors of his consistent and persistent efforts. Bеіng passionate аbоut his work аnd аlwауѕ wanted tо carve а niche fоr himself іn life, wаѕ thе spark thаt ignited him to pursue his dreams and passion. We will walk you through all about him. BIOGRAPHY/Wiki He hails from Tokyo. He is 49 years old as of 2021. He is American by Nationality. His Zodiac sign is Pisces. His date of birth is March 9th 1972. He is a follower of Atheists. He attended Architectural Association in London and Mackintosh School of Architecture, Glasgow School of Art in the early ’90s. He has a degree Master of Architecture from the University of Pennsylvania, which he received in 2007. He has won various laurels for his amazing work. He is the recipient of Visual Art Open First Prize, Florence Biennale Mixed Media 2nd Place Award, Premio Ora Prize Italy 5th Edition, Premio Ora Prize Spain 1st Edition, Donkey Art Prize III Edition Finalist, Art Kudos Best of Show Award, Lynx International Prize Be Art Builder Award, Lumen Prize Finalist and many more. He specializes in building a positive brand image with the help of social media campaigns and digital marketing strategies. He collaborates with various renowned influencers including a cofounder of the Metabolist Movement, Kisho Kurokawa, and with Arata Isozaki, Peter Christopherson of Coil, Cesar Pelli, and MIT Media Lab before establishing his office. He has worked on high-profile projects including Kyushu University Ito Campus masterplan (2003-2005), Shinjuku redevelopment project in Tokyo (2009-2012), Bach Mai hospital in Hanoi (2000), and Qingdao mixed-use development in China (2011). He strongly believes “One of the best ways to grow a business and garner more success is by growing your own personal brand” Several of his paintings have been exhibited in various art galleries. Several articles have been published about him. He shares various quotes and articles to inspire the youth and helping them to build a better future. His Instagram is full of his paintings. He has helped various artists grow by polishing their talent and help them find the correct lane. He is passionate about making dreams come true and hopes to inspire a lot of passionate minds Physical Appearance He is Smart and Cute. He is hugely popular among the youth. He is approximately 175 cm tall and weighs around 70Kg. He has an Average Build. He has black hair and both of his eyes have different colors Left Grey Right Dark Green. Family Religion Not Much is known about his family and his personal Relationship. Facts His Instagram id is ryt.matsumoto His Instagram has 1K+ followers. He is a very talented person who enjoys Painting, Sculpturing, and Writing music in his leisure time. His pursuit for excellence has led him down various avenues His magnetic personality has gained him friends across the globe and the growing respect of ears in the industry. He is a Social media Influencer. He loves to explore new places He also had solo exhibitions at Transylvania University (2015), Los Angeles Center of Digital Art (2016) and Alviani ArtSpace, Pescara (2017). His work, writings, and interviews has been published in Kalubrt Magazine, University of North Carolina Wilmington Journal Palaver, Furtherfield.org, The Journal of Wild Culture, Studio Visit Magazine, Fresh Paint Magazine and many more
https://w.atwiki.jp/touhoukashi/pages/2585.html
【登録タグ A-One R TOHO EUROBEAT VOL.12 まめみ 曲 空中に沈む輝針城】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/touhoukashi/pages/401.html
【登録タグ B いえろ～ぜぶら 明日ハレの日、ケの昨日 曲 東方彗麗歌 ～Orbit of Diffusion～ 藤宮ゆき】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; 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} /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; 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